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SHAKEEL BADAYUNI- Lo Aa Gai Unki Yaad

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  He was a great lyricist of the Golden Era of Bollywood. That was the time when most of the poets were writing  about the downtrodden sections of society, their upliftment, the betterment of society, and depressive songs. But Shakeel had an altogether different taste – his poetry was romantic and close to the heart. in his first film, he wrote the song  Afsana Likh Rahi Hoon . sung by Uma Devi(TunTun), became immortal, In the 1949 film Dulari, he wrote ' Suhani Raat Dhal Chuki'.He was the lyricist of many immortal songs ' Pyar Kiya To Darna Kya ' , ' Chaudvin Ka Chand Ho  Ya Aftab Ho',  Husnwale Tera Jawab Nahin' (Gharana),   'Kahin Deep Jale Kahin Dil' (Bees Saal Baad), or 'Mere Mehboob Tujhe Meri Mohabbat Ki Kasam'   Shakeel shared a close friendship with Naushad,  he and Naushad became one of the most sought-after composer/lyricist duos in the industry.   Among the scores they churned out together, are those of  Deedar  (1951),...

Naushad- The Man Who Introduced Raaga Based Songs in Hindi Movies.

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  Naushad  started as an independent music director from the 1940 film Prem Nagar. He made Hindi songs popular by mixing UP and Bihar folk music with Indian classical music. He first got noticed with A.R. Kardar's film  Sharda  (1942) wherein 13-year-old  Suraiya  debuted with the song "Panchhi Ja" for the playback for heroine  Mehtab . It was  Rattan  (1944) that took Naushad right to the top   It was in 1946 he got superstar status with the two immortal songs from the film Anmol Ghadi. . In the same year, K L Saigal gave one of his immortal songs "Jab Dil Hi Toot Gaya" under his composition in Shahjehan (1946) in Raag Bhairavi. His favorite ragas were raga  Pahadi, Aiman, Darbari, Kafi or Des  along with Raga Bhairavi. He also composed songs in unconventional and difficult ragas   such as Jaijaiwanti, Kedara, Brindabani Sarang, Bihag, Durga, Kirwani and Kalavati.     In this blog, we take a journey of his ...