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“Who art thou? “asked the guardian of the night.  ” From crystal purity I come,” was my reply.” And great my thirst, Persephone. Yet heeding thy decree I take to flight and turn, and turn again. Forever right I spurn the pallid cypress tree. Seek no refreshment at its sylvan spring but hasten on toward the rustling river of Mnemosyne wherein I drink to sweet satiety. And there, dipping my palms between the knots and loopings of its mazy stream I see again, as in a drowning swimmers dream--all the strange sights I ever saw. And even stranger sights no man has ever seen.”  ---End lines spoken by Klimt (played by John Malkovich) in Raoul Ruiz’ film Klimt . K limt has been dismissed by most critics and viewers as difficult and silly. Klimt is difficult but not silly. Klimt, the film, is a heady cocktail of two brilliant minds: Gustav Klimt the painter, and Ruiz the filmmaker. It is a delicious cocktail to be enjoyed by intelligent and patient viewers. Take the enigmatic end lin...

A mour is the best film that this critic viewed in 2012. There are two ways to appreciate this film. One way is to appreciate its subject and the second is to appreciate the artistic manner the contents of the movie are presented to the viewer.  The following review attempts to appreciate both aspects separately. The subject of the film would win the hearts of the larger segment of its viewers.  Amour is French for “love.”  However, the subject of the film deals also with inevitable appointment with death for all of us. Both subjects intertwine in this movie.  Love depicted in the film is the rare kind of love not often elaborated on screen; it is the love between couples in the evening of their lives. The only types of viewers who might not like the subject are those who themselves are already beginning to experience situations similar to those depicted in the film. Amour has already won the Golden Palm at the Cannes Film Festival, the top four awards at...