234. Russian director Aleksei German, Jr.’s sixth feature film “Dovlatov” (2018) (Russia): A soulful reduction of the travails of a Russian writer of repute, intelligently collapsed into six interesting, representative days in 1971 of Brezhnev-era USSR, providing the viewer a mirror image of what director Aleksei German, Sr., endured as a creative filmmaker battling censors in that same timeframe.
“Dovlatov was a sex symbol, an Elvis Presley, a legend (in Russia)” – director Aleksei German, Jr., on the writer Dovlatov, in an interview published in Sight and Sound “I saw Brezhnev in my dream. We drank pina coladas and discussed socialism. He promised to help (me get published).” Dovlatov to his mother, waking up in the morning on the first of the “6 days of 1971” shown in the film D ovlatov is an exceptional film and one of the most mature cinematic works made in 2018. Why is it exceptional? It encapsulates the world and travails of Russian writer Sergei Dovlatov (1941-90), friend and contemporary of eventual Nobel Prize winner Joseph Brodsky and their interactions in Leningrad (now St Petersberg) preceding the decision of Brodsky to emigrate to the United States within a part-realistic, part-fictional representative 6 days of 1971. The year 1971 is typical of a particular Soviet mindset within former USSR (now primarily Russia, having subsequently div...