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  Asha Bhosle (Born on 8th Sep 1933) made h er Hindi film debut when she sang the song "Saawan Aaya" for  Hansraj Behl 's  Chunariya  (1948) but before that  she sang her first film song '"Chala Chala Nav Bala" for the  Marathi film Majha  Bal  (1943).   She  had sung over 12,000 songs, s he was officially acknowledged by the  Guinness Book of World Records  as the most recorded artist in music history Initially, she sang songs  in  low-budget  B- or C-grade films. She  used to get the assignments only when reputed female singers of that time like  Geeta Dutt ,  Shamshad Begum , and  Lata Mangeshkar refuse  singing for the bad girls and  vamps , or songs.  The first time she sang in a big banner film was in Bimal Roy's Parinnta 1953  The song of that film  " Gore gore haathon me mehndi racha ke"..but none of the songs was picturised on the heroine of the film Meena Ku...

  O P Nayyar and Asha Bhonsle gave us some of the most memorable songs of Hindi Cinema. S ongs like ‘Jaayiye aap kahan’ (Mere Sanam), ‘Raaton ko chori chori’ (Yeh Raat Phir Na Aayegi), ‘Zara haule haule’, ‘Meri jaan tumse sadke’ and ‘Aaj koi pyar se’ (all in Sawan Ki Ghata), ‘Aayiye Meherbaan’ (Howrah Bridge) and ‘Aankhon se jo utri hai dil mein’ (Phir Wohi Dil Laya Hoon) to sense the profound wavelength the two worked on.   Born on 16th Jan 1926, he came to Bombay for giving music for films. initially, he was offered  the background score for  Kaneez  (1949), and 1952's  Aasmaan (produced by  Dalsukh M. Pancholi ), was his first film as music director. His real break came with Guru Dutt's Aar Paar in 1954. After that, he gave music for    Mr. & Mrs. '55  (1955) and  C.I.D.  (1956). The songs of all these three films established him among the top composers of that time. The two met in 1952 at the music recording of a song f...

  This song appears in the 1955 hit musical comic Baap Re Baap  directed and produced by A R Kardar. The movie starred Kishore Kumar, Chand Usmani. This song is a duet of Kishore Kumar and Asha Bhonsle, written by  Jan Nisar Akhtar, and the music was composed by O P Nayyar. During those times, t here were no digital recording facilities like today, where if there is a mistake it can be rectified by computers. Those days   there used to be only one microphone for the singers, and another for musicians.   If the singers want to record a duet, one would sing his/her line, get away noiselessly for other singers to sing, and come again for their own part. And, if a musician makes a mistake, the whole track would be recorded again from the top. There was also no technique to alter the intensity of sound, if the sound was supposed to come from a distance, the singer had to stand away from the mic, slowly advancing towards it, to get the desired effect. This song is sig...

  Asha Bhosle, the younger sister of Lata Mangeshkar was born on 8th September 1933 in a Gomantak Marathi Brahmin family in Sangli, Maharashtra. She was the third among five siblings. Her father, Pandit Dinanath Mangeshkar was a renowned classical singer and stage actor.  Her first foray into Hindi film playback happened with the song ‘Saawan Aaya’ from the film ‘Chunariya’ with composer Hansraj Behl in 1948. When she was 16, Initially,  her songs were basically meant for the sidelined roles like vamps, cabaret numbers, or C-grade movies but it was O P Nayyar who gave her real break with C I D in 1956.  With O. P Nayyar, Asha gave out hits after hits like ‘Aaiye Meherban’, ‘Deewana Hua Badal’, ‘Isharon Isharon Mein’, ‘Aao Huzur Tumko’, ‘Ude Jab Jab Zulfein Teri’, etc. This talented singer can sing a ghazal and a peppy cabaret number with amazing levels of energy and style. Be it the romantic "Oh Mere Sona Re" or the sensuous "Aaiye Meherban" or the peppy "Kamba...

  Music and Song sequences can make a film hit and memorable. This song from the 1971 film from Caravan is one such example. This song was written by Mazrooh Sultanpuri, composed by R D Burman and sung by Asha Bhonsle.  The song was performed by Helen, who is known for doing item numbers in  Bollywood  .  Music scholar Nilanjana Bhattacharjya identified "Piya Tu Ab To Aja" as one of the culturally important  Hindi film  songs.   The song has also been called "the catalyst" that made "Asha  Bhonsle the queen of cabaret numbers". R D Burman was nominated for the Filmfare Best Music Director and Asha Bhonsle was awarded the Best Female Playback Singer for this song. The picturisation of this song is typical of the item numbers of the era portraying a " vamp " character who dances seductively for a nightclub audience. The audience used to get crazy when this dance number starts. I was a teenager when this film was released was also mesmerized wit...