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Showing posts with the label Colombia

273. Thai director Apichatpong Weerasethakul’s tenth complete feature film, “Memoria” (2021), shot in Colombia, based on his original screenplay: Metaphysics of awakening human memory through sound and sight, rather than words

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    “ A sound like a rumble from the core of the earth ”  —Jessica (Tilda Swinton), a Scotswoman and a scientist, describing the sound that woke her up one day from slumber   in Colombia, a sound that she wishes to identify and understand (words spoken in the early part of the film)   “ Why are you crying, when they are not of your memories?”   —Jessica’s new-found acquaintance Hernan (the metaphoric “hard disk," as he describes himself”) says to her, after Jessica (the metaphoric “antenna”, in Hernan’s words) physically connects with Hernan by Jessica placing his palm on her arm (words spoken towards the end of the film) M emoria is a film that recalls Carlos Reygadas’ opening and closing sequences of his Silent Light (2007), approaching metaphysical mysteries using sounds and visuals. It was not surprising for this critic that Reygadas was one of the many thanked by the filmmakers in the film’s credits. Memoria equally recalls sequences from Andrei Ta...

195. Colombian director Ciro Guerra’s “El abrazo de la serpiente” (Embrace of the Serpent) (2015) (Colombia/Argentina/Venezuela): An amazing film with deep insights on nature and civilization dedicated to “peoples whose song we will never know.”

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Both posters above are predominantly in black and white, while colour is utilized sparingly and effectively,  as in the film “ The display I witnessed in those enchanted hours was such that I find it impossible to describe in a language that allows others to understand its beauty and splendour; all I know is that, like all those who have shed the thick veil that blinded them, when I came back to my senses, I had become another man. ” ---German scientist and explorer Theodor Koch-Grunberg’s (1872-1924) writings, quoted at the opening of the film T he year 2015 witnessed the release of three outstanding films from South American countries: Land and Shade from Colombia, The Pearl Button from Chile, and Embrace of the Serpent a co-production from Colombia, Argentina and Venezuela. Each of the three films deals with history and economics. Each film present a combination of fact and fiction, the last two blending history with actors playing fictional roles that have some facts to rel...

189. Colombian director César Augusto Acevedo’s debut film “La tierra y la sombra" (Land and Shade) (2015): A grim, yet amazingly, beautiful tale of the poor when sugar cane is symbolically no longer sweet and can kill

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F or a debut film, César Augusto Acevedo’s Land and Shade is amazing in its simplicity and quiet power.   Land and Shade is powerful because it deals with two things that mean a lot to most people--home and family.  When you are poor, home could mean your house, your apartment, your hut, your piece of land that you own. In Acevedo’s Land and Shade— the word “land” refers to all those things. In Land and Shade , in halcyon days decades ago, that piece of land on which a modest house stood benefitted from the shade of a giant tree.  Decades later, the sun is obliterated not by the tree but by smoke—smoke that kills the dogs and humans without distinction in the vicinity. And the smoke comes from man-made fires to burn sugarcane crop residues as a cost effective method adopted by the farm owners to clear the land before planting a fresh sugarcane crop once again. Ecologists have been increasingly critical of this practice as it has several negative effects the industry ign...