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The late Hungarian film director Zoltan Fabri speaks to the Indian film critic Jugu Abraham in Budapest, Hungary, in 1982

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Zoltan Fabri, 1917-94 (Courtesy: MUBI) Transcript of the interview published in the daily newspaper  The Telegraph , (Kolkata, India) on 15 August 1982  Zoltan Fabri is not an unknown name in India. His films have been widely shown in screenings in India, courtesy NFDC, and he holds the distinction of winning two awards at the Delhi International Film Festival of India (IFFI). In 1979, Hungarians won the Golden Peacock for the Best Film and in 1981 his film Balint Fabian meets God was awarded the Silver Peacock for the Best Actor. Fabri is one of three great Hungarian filmmakers—Miklos Jancso and Istvan Szabo completing the trio. Jugu Abraham, who interviewed him in Hungary, found him to be ‘a lovely old man’ with impeccable manners and forthright views. The interview:  Q. In India, we see a lot of your films but we hardly know anything of the person behind the camera. I would like to ask you something of your personal life. Your films have shown the protagonists playing ...

216. Hungarian director Ildikó Enyedi’s film “Teströl és lélekröl” (On Body and Soul) (2017) (Hungary) based on her original screenplay: A stunning script involving dreams and matching dreamlike cinematography bring Hungarian cinema back to the heights it had climbed several decades ago.

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 “ Teströl és lélekröl   (On Body and Soul) is an idiosyncratic love story full of lyricism and humour, free of all social conventions. It impresses us with the subtlety and eloquence of its style and involves us in its joy of living and loving .”  --- The citation for the FIPRESCI prize bestowed at the Berlin Film Festival H ungarian cinema touched its zenith in the Seventies and Eighties when a group of remarkable Hungarian directors delivered their best works: Zoltan Fabri, Istvan Szabo, Miklos Jansco, Istvan Gaal, Karoly Makk, and Marta Meszaros—in that order.  Then there was a lull for several decades while the director Bela Tarr briefly captured the imagination of a new generation of filmgoers of the Nineties and at the turn of this century. Now in 2017, Hungarian director Ildikó Enyedi brings back to the floundering Hungarian cinema the power of yore. Just as Zoltan Fabri’s brilliant The Fifth Seal offered food for thought as few films do, director Ildik...

180. The late Hungarian maestro Zoltan Fabri’s “Az ötödik pecsét” (The Fifth Seal) (1976) based on Ferenc Sánta’s novel: The ultimate debate on conscience and self-respect

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V ery few films deal with philosophy and ethical human choices under extreme testing situations.  The Fifth Seal is one that not only presents a philosophical dilemma on screen but will make any intelligent and sensitive viewer to ponder over his or her own choice under similar circumstances.  The film directed by Zoltan Fabri (1917-94) won the Golden Prize of the Moscow Film Festival in 1977. The film is based on a novel written by Ferenc Santa, arguably the finest Hungarian writer who has won almost all the top honours in that country. Santa himself wrote the screenplay of the film and, therefore, one can guess the film reflects the novel’s content pretty accurately.  This is the second work of Fabri that was based on a Ferenc Santa novel—the first being Twenty Hours (1965). Both films won the top award in the respective years at the Moscow Film Festival. The Fifth Seal is one of the top 100 films of this critic and the film made such a positive impact on him that he...