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Showing posts with the label Sao Paulo winner

274. Turkish director Semih Kaplanoglu’s eighth feature film “Baglilik Hasan” (Commitment Hasan) (2021) (Turkey), based on his original screenplay: An interesting study of a Turkish male farmer growing apples and tomatoes preparing for a Hajj pilgrimage to Mecca with his wife, a dream-come-true trip for her

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"You think you can go on a pilgrimage and come back clean as a whistle?   Only God can forgive you, sir."  --Turgut, an honest former employee of Hasan, branded as a thief by Hasan, when Turgut procured less price from a buyer of Hasan's produce, a buyer who was only ready to pay that lesser sum   N uri Bilge Ceylan and Semih Kaplanoglu are the two most important internationally recognized contemporary film directors who make films of very high standards.  Commitment Hasan is the second film in a row from Semih Kaplanoglu (it follows the 2019 film Commitment or Baglilik Asli) with the key word “Baglilik” in Turkish language (or “Commitment” in English) in the titles of both films. Kaplanoglu watchers can assume this film is possibly a part of a second trilogy in the making–the first one being the Yusuf trilogy of “Yumurta” ( Egg ) (2007), “Sut” ( Milk ) (2008), and “Bal” ( Honey ) (2010), made in reverse chronology of Yusuf’s life. All the five films are original t...

253. Brazilian director Kleber Mendonca Filho’s debut feature film “O Soma o Redor” (Neighboring Sounds) (2012) in Portuguese, based on his original script: A lovely, innovative example of effective, judicious and discreet use of sound in film-making that complements the mood of the screenplay

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F ilm directors often make amazing debut feature films. These debut films can be awesome if they are based on the director’s original scripts rather than an adapted one. Kleber Mendonca Filho’s debut feature film Neighboring Sounds as a director stands out as he has observed and reflected on the history of Brazil and created a tale that mirrors the race conflicts and the closely related economic and social disparity that has existed in recent decades of that wonderful, naturally well-endowed nation’s history. Beyond the interesting tale that director Filho wrote for his debut as a feature filmmaker, he evidently decided to build his tale aided by the importance of sounds in a film that most viewers neglect to notice. It is no coincidence that he chose to title the film as Neighboring Sounds . If a viewer approaches the film casually, the story of the film will be more overpowering than the diegetic sounds captured on the film’s soundtrack. Filho divides his film into three chapters (i...

233. Lebanese director Nadine Labaki’s third feature film “Capernaum” (a.k.a. Caphernaum; and Chaos)(2018) (Lebanon): A film that puts Lebanon on the world cinema map by presenting truth, humanism, and issues often swept under the carpet, in many parts of the globe

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“Why are you attacking your parents in court?” —Lebanese judge/magistrate to Zain, a 12-year-old Lebanese, already behind bars for a crime he has committed  “ For giving me life ”—Zain’s response T he year 2018 has seen the release of three interesting films from three distinct parts of the globe. Each of the three   are very interesting, have several common themes and have and will be competing against each other for major honours at different awards nights and film festivals. The three films are directors Nadine Labaki’s Capernaum (from Lebanon), Hirokazu   Kore’eda’s Shoplifters (from Japan) and Alfonso Cuaron’s Roma (from Mexico).   Zain (Zain al Rafaeea) pondering on ways to feed and take care of someone younger and more helpless All three films deal with multiple children and their families into which they are born-- for no fault of theirs.   All three films are original tales conceived and developed by the directors from their own experiences and imagin...

204. Polish maestro Krzysztof Kieślowski’s film “Dekalog, Jeden” (Decalogue, One) (1989) (Poland): A fascinating debate on atheism versus faith in God/Yahweh/Allah

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Frozen lake T he ten-part Dekalog is definitely one of the 10 best works of cinema ever made for this critic. Each segment of the ten-part film Dekalog is linked to the 10 Commandments given by God to Moses as believed by Christians, Jews and Muslims. Now many who are not familiar with subtle changes introduced into various versions of the Bible over time would assume the Ten Commandments are written in stone and will have to be the same in all published versions. This, unfortunately, is not the case. One reason for the differences pertains to sources of the Commandments ( The Septuagint , Philo’s Septuagint , The Samaritan Pentateuch , the Jewish Talmud , and The Holy Koran’s sura Al An’am and al Isra ) and the second, the various interpreters (St Augustine, Martin Luther and John Calvin). (Ref: Wikipedia https://en.wikipedia.org/wiki/Ten_Commandments ) When Krzysztof Kieślowski made Dekalog in collaboration with co-scriptwriter Krzysztof Piesiewicz one can guess each of the Te...

191. Japanese director Naomi Kawase’s “An” (Sweet Bean/Sweet Red Bean Paste) (2015): Zen and the art of making pancakes

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Globally, Naomi Kawase is not as well known as are Japanese filmmakers Akira Kurosawa, Yasijiro Ozu, Kenji Mizoguchi, Masaki Kobayashi, Nagisa Oshima, Hiroshi Teshigahara and Shohei Imamura. Ms Kawase is an odd one to be included among those stalwarts. First, she is the only woman among all those men. Second, she is the only one with a non-Japanese first name, while her filmmaking is quintessentially Japanese, harking back to nature and traditions of the Japanese people. And finally her filmmaking is distinct from the rest—each feature film with strong female characters, each feature film that exudes respect for elderly folks and their accumulated wisdom, each feature film stressing on equilibrium of relationships between human beings and nature. Finally, her reflective and philosophical style of filmmaking unintentionally is very close to that of the US director Terrence Malick. She could well be considered Japan’s answer to Malick. Lonely Sentaro makes a living making dorayaki sandwi...

172. Argentine director Damián Szifrón’s “Wild Tales” (Relatos salvajes) (2014): Black comedy that entertains while making us introspect

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The "wild" characters from the six segments W ild Tales is a gem of an entertainer made up of six stand-alone, dark, comic tales. It is a portmanteau film with a difference; all the six tales are written and directed by one man--Damián Szifrón.  He is also the co-editor of this impressive work. Surprisingly, this Argentine director is only in his late thirties and he has made a film that belies his age. Most audiences will love it because there are elements in the six tales they will easily identify with, irrespective of where they live on this planet.  Interestingly, the film was co-produced by the Spanish director Pedro Almodóvar, who must be delighted that he has invested his money well. It is “wild” because it depicts extreme reactions of ordinary individuals, who are frustrated by present urban societal pressures and the outcomes are quite plausible if the frustrated individuals are left with little or no choice to correct their predicaments, created often not by themse...