140. Uruguayan director Rodrigo Plá’s “La Demora” (The Delay) (2012): Meaningful and mature cinema that has universal relevance

An evocative poster of the film at the Berlin Film Festival The conventional poster U ruguay is not a country that one would easily associate with great cinema. Even for Latin American standards, Uruguay cannot boast of major cinematic works. And yet, Rodrigo Plá’s La demora (The Delay) offers without any doubt a major Uruguayan contemporary counterpoint to Michael Haneke’s Amour (Love), both films made in the same year, both major winners on the film festival circuit, both offering quality cinema that will grip the viewer right up to the end. While Amour dealt with uxorial love, The Delay is all about paternal love. Both films deal with the problems of the elder citizens today. While Amour dealt with the problem within the economic comforts of a small Parisian apartment where the principal characters could afford hospitalization, home nurses, a baby grand piano, a good music system, and a concierge to buy groceries, The Delay pushes the viewer to the bitter re...